Difference between revisions of "User:PeterSampson/Sand-Box"

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*[https://www.youtube.com/watch?v=vt_xL6jch8w&feature=youtu.be Audacity Voice Effects Tutorial, How To Remove Unwanted Noise and Breath Sounds]
+
'''''Table 1: 78rpm Playback Equalisation Curves'''''
 +
<div id="table"></div>
  
*[https://www.youtube.com/watch?v=wW-OOJ-LPjg Audacity Tutorial - How to Create Ethereal Voice Effects]
+
{| border="1" cellpadding="5"
 
+
|-
*[https://www.youtube.com/watch?v=cpWABEyCfQM&list=UUI2eVYoI4UdX9YHfXXzvldQ Audacity Tutorial - The Singing Strings]
+
!Label
 
+
!Series
*[https://www.youtube.com/watch?v=SjrD0NgQuAI&list=TLkJYv3zJykMV3eqUg-ofHCI0khH9tASL6 Audacity Tutorial how to add reverb]
+
!Bass Turnover<br />Frequency (Hz)
 +
!10 kHz Gain<br />Rolloff (dB)
 +
!LF Shelving<br />Frequency (Hz)
 +
!Source
 +
|-
 +
|Acoustic Recording
 +
(such as cylinders, etc..)
 +
|
 +
|0 (or as required)
 +
|0 (or as required)
 +
|
 +
|1
 +
|-
 +
|'''AES'''
 +
|standard
 +
|400
 +
| -12
 +
|
 +
|1
 +
|-
 +
|AFRS Transcriptions
 +
|
 +
|500
 +
|0 or -5
 +
|
 +
|1
 +
|-
 +
|Allegro
 +
|
 +
|750
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Allied
 +
|
 +
|500
 +
| -16
 +
|
 +
|1
 +
|-
 +
|American Recording Society
 +
|
 +
|500
 +
| -12 or –13.7
 +
|
 +
|1
 +
|-
 +
|Angel
 +
|
 +
|500
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Arizona
 +
|
 +
|400
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Artist
 +
|
 +
|500
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Atlantic
 +
|
 +
|500
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Audiophile
 +
|
 +
|300
 +
| -8
 +
|
 +
|1
 +
|-
 +
|BBC Transcriptions
 +
|1949
 +
|500
 +
| -5
 +
|
 +
|1
 +
|-
 +
|BBC Transcriptions
 +
|most
 +
|250-300
 +
|0 to -5
 +
|
 +
|1
 +
|-
 +
|Bach Guild
 +
|501-529
 +
|500-750
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Banner
 +
|adjust as required
 +
|500
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Bartok
 +
|
 +
|629
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Bartok
 +
|301-304, 309, 906-920
 +
|700
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Berliner
 +
|speed = 71.29 RPM
 +
|0
 +
|0
 +
|
 +
|1
 +
|-
 +
|Blue Bird
 +
|
 +
|800
 +
| -10
 +
|
 +
|1
 +
|-
 +
|Blue Note Jazz
 +
|
 +
|400
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Blumlein
 +
|
 +
|250
 +
| 0
 +
|50
 +
|2
 +
|-
 +
|Boston
 +
|
 +
|COL*
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Brunswick
 +
|rare
 +
|1000
 +
| -8.5
 +
|
 +
|1
 +
|-
 +
|Brunswick
 +
|from 1946
 +
|300
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Brunswick
 +
|early
 +
|300-500
 +
|0 or -16
 +
|
 +
|1
 +
|-
 +
|Brunswick
 +
|
 +
|500
 +
|0
 +
|
 +
|3
 +
|-
 +
|BSI 78
 +
|
 +
|353
 +
| -10.5
 +
|50 [2]
 +
|1, 2
 +
|-
 +
|Caedmon
 +
|
 +
|629
 +
| -11
 +
|
 +
|1
 +
|-
 +
|Caedmon
 +
|1001-1022
 +
|700
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Cameo
 +
|inconsistent, adjust as required
 +
|
 +
|
 +
|
 +
|1
 +
|-
 +
|Canyon
 +
|
 +
|400
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Capitol
 +
|FDS
 +
|400
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Capitol-Telefunken
 +
|
 +
|500
 +
|0
 +
|
 +
|1
 +
|-
 +
|Capitol
 +
|
 +
|500
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Capitol
 +
|1942
 +
|400
 +
| -12
 +
|
 +
|3
 +
|-
 +
|Cetra Soria
 +
|
 +
|400
 +
| -12 or -16
 +
|
 +
|1
 +
|-
 +
|Cetra
 +
|
 +
|400
 +
| -11
 +
|
 +
|1
 +
|-
 +
|Coliseum
 +
|
 +
|400
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Columbia*
 +
|1925
 +
|200
 +
| -7
 +
|
 +
|1, 3
 +
|-
 +
|Columbia*
 +
|1926
 +
|250
 +
| -5
 +
|
 +
|1
 +
|-
 +
|Columbia*
 +
|1938-most
 +
|300
 +
| -16
 +
|
 +
|1, 3
 +
|-
 +
|Columbia*
 +
|various
 +
|COL*
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Columbia*
 +
|European
 +
|300
 +
| -5
 +
|
 +
|1
 +
|-
 +
|Columbia
 +
|English
 +
|250
 +
|0
 +
|
 +
|3
 +
|-
 +
|Concert Hall
 +
|
 +
|400
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Contemporary
 +
|
 +
|400
 +
| -11
 +
|
 +
|1
 +
|-
 +
|Cook Laboratories
 +
|
 +
|500
 +
| -11
 +
|
 +
|1
 +
|-
 +
|Cook Laboratories
 +
|binaural inside band
 +
|500
 +
|0
 +
|
 +
|1
 +
|-
 +
|Coral
 +
|
 +
|400 or 750
 +
| -12 or -16
 +
|
 +
|1
 +
|-
 +
|Decca
 +
|early
 +
|150 or 300
 +
|0 or -6
 +
|
 +
|1
 +
|-
 +
|Decca 78
 +
|
 +
|150
 +
| -9
 +
|
 +
|2
 +
|-
 +
|Decca
 +
|1946-
 +
|400 or 500
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Decca FFRR
 +
|1949
 +
|250
 +
| -5
 +
|
 +
|1, 3
 +
|-
 +
|Decca FFRR
 +
|1951
 +
|300
 +
| -14
 +
|
 +
|1
 +
|-
 +
|Decca
 +
|1934
 +
|400
 +
| -12
 +
|
 +
|3
 +
|-
 +
|Deutsche-Grammophone
 +
|
 +
|300
 +
| -5
 +
|
 +
|1
 +
|-
 +
|Dial
 +
|
 +
|500 or 750
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Disc
 +
|
 +
|300
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Ducretet-Thomson
 +
|
 +
|450
 +
| -11
 +
|
 +
|1
 +
|-
 +
|EMI
 +
|1931
 +
|250
 +
|0
 +
|
 +
|1, 3
 +
|-
 +
|EMI
 +
|33 LP
 +
|500
 +
| -12
 +
|
 +
|1
 +
|-
 +
|EMS
 +
|
 +
|375
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Edison
 +
|
 +
|0
 +
|0
 +
|
 +
|1
 +
|-
 +
|Electrola
 +
|
 +
|800
 +
| -10
 +
|
 +
|1
 +
|-
 +
|Elektra
 +
|
 +
|629
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Epic
 +
|through 1954
 +
|COL* or 750
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Esoteric
 +
|
 +
|400 or 500
 +
| -12
 +
|
 +
|1
 +
|-
 +
|European
 +
|
 +
|280
 +
|0
 +
|
 +
|1
 +
|-
 +
|Festival
 +
|
 +
|750
 +
| -16
 +
|
 +
|1
 +
|-
 +
|FFRR 78
 +
|
 +
|300
 +
| -5
 +
|40
 +
|2
 +
|-
 +
|Folkways
 +
|
 +
|629
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Good Time Jazz
 +
|
 +
|400
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Gramophone
 +
|
 +
|300
 +
| -10
 +
|
 +
|1
 +
|-
 +
|HMV
 +
|1925-1946
 +
|250
 +
|0
 +
|
 +
|1, 3
 +
|-
 +
|HMV
 +
|1946
 +
|400
 +
| -10
 +
|
 +
|1
 +
|-
 +
|HMV
 +
|1946-1954
 +
|500 or 800
 +
| -16
 +
|
 +
|1
 +
|-
 +
|HMV
 +
|American
 +
|400
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Handel Society
 +
|
 +
|750
 +
| -16 or -17
 +
|
 +
|1
 +
|-
 +
|Haydn Society
 +
|
 +
|750
 +
| -16 or -17
 +
|
 +
|1
 +
|-
 +
|Harmony Acoustics
 +
|through 8/29
 +
|300
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Hit of the Week
 +
|
 +
|500
 +
| -5
 +
|
 +
|1
 +
|-
 +
|Kapp
 +
|
 +
|700
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Kendall
 +
|
 +
|629
 +
| -16
 +
|
 +
|1
 +
|-
 +
|King
 +
|
 +
|500
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Linguaphone
 +
|
 +
|300
 +
|0
 +
|
 +
|1
 +
|-
 +
|L’Oiseau-Lyre
 +
|
 +
|500
 +
| -10
 +
|
 +
|1
 +
|-
 +
|London
 +
|early
 +
|300
 +
|0
 +
|
 +
|1
 +
|-
 +
|London
 +
|up to LL846
 +
|500 or 750
 +
| -10.5
 +
|
 +
|1
 +
|-
 +
|London FFRR
 +
|1949-
 +
|250 or 280
 +
| -5
 +
|
 +
|1
 +
|-
 +
|London FFRR
 +
|1949
 +
|250
 +
| -5
 +
|
 +
|3
 +
|-
 +
|Lyrichord
 +
|early
 +
|400 or COL*
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Lyrichord
 +
|newer
 +
|629
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Mercury
 +
|through 10/54
 +
|400
 +
| -12
 +
|
 +
|1, 3
 +
|-
 +
|MGM
 +
|
 +
|500
 +
|0 or -12
 +
|
 +
|1
 +
|-
 +
|MGM
 +
|
 +
|500
 +
| -12
 +
|
 +
|3
 +
|-
 +
|Montilla
 +
|
 +
|500
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Musicraft
 +
|
 +
|750
 +
| -14
 +
|
 +
|1
 +
|-
 +
|'''NAB'''
 +
|standard
 +
|500
 +
| -16
 +
|
 +
|1
 +
|-
 +
|New Records
 +
|
 +
|750
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Nocturne
 +
|
 +
|400
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Oceanic
 +
|
 +
|COL* or 750
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Odeon
 +
|early electricals
 +
|700
 +
|0
 +
|
 +
|1
 +
|-
 +
|Odeon
 +
|pre-1947
 +
|300
 +
| -8.5
 +
|
 +
|1
 +
|-
 +
|Oiseau-Lyre
 +
|through 1954
 +
|COL*
 +
| -8.5
 +
|
 +
|1
 +
|-
 +
|Okeh
 +
|electricals
 +
|300
 +
|0 or -8.5
 +
|
 +
|1
 +
|-
 +
|Oriole
 +
|inconsistent, adjust as required
 +
|
 +
|
 +
|
 +
|1
 +
|-
 +
|Orthoacoustic Transcriptions
 +
|
 +
|500
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Overtone
 +
|
 +
|400 or 500
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Oxford
 +
|
 +
|750
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Pacific Jazz
 +
|
 +
|400
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Parlophone
 +
|varies with era
 +
|300 or 500
 +
|0 or –8.5
 +
|
 +
|1
 +
|-
 +
|Parlophone
 +
|
 +
|500
 +
|0
 +
|
 +
|3
 +
|-
 +
|Pathe
 +
|inconsistent, adjust as required
 +
|
 +
|
 +
|
 +
|1
 +
|-
 +
|Period
 +
|
 +
|500
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Polydor
 +
|
 +
|300
 +
| -8.5
 +
|
 +
|1
 +
|-
 +
|Philharmonia
 +
|
 +
|400
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Polymusic
 +
|
 +
|500
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Polymusic
 +
|binaural inside band
 +
|500
 +
|0
 +
|
 +
|1
 +
|-
 +
|RCA Victor
 +
|early acoustics 71.29 RPM
 +
|0
 +
|0
 +
|
 +
|1
 +
|-
 +
|RCA Victor
 +
|later acoustics 76.59 RPM
 +
|0
 +
|0
 +
|
 +
|1
 +
|-
 +
|RCA Victor
 +
|1925 78 RPM
 +
|250 or 300
 +
|0 or -5
 +
|
 +
|1
 +
|-
 +
|RCA Victor
 +
|1931 LP only
 +
|700 or 800
 +
|0 to –10.5
 +
|
 +
|1
 +
|-
 +
|RCA Victor
 +
|1933
 +
|375
 +
| -8.5
 +
|
 +
|1
 +
|-
 +
|RCA Victor
 +
|1935
 +
|300 or 500
 +
|0
 +
|
 +
|1
 +
|-
 +
|RCA Victor
 +
|1938
 +
|500
 +
| -5
 +
|
 +
|1
 +
|-
 +
|RCA Victor
 +
|1938 – 1948
 +
|500
 +
|0 to -12
 +
|
 +
|1
 +
|-
 +
|RCA Victor
 +
|1938 – 1947
 +
|500
 +
| -7
 +
|
 +
|3
 +
|-
 +
|RCA Victor
 +
|1948
 +
|500
 +
| -10.5
 +
|
 +
|1
 +
|-
 +
|RCA Victor
 +
|1949-
 +
|500
 +
| -12 or -13
 +
|
 +
|1
 +
|-
 +
|RCA Victor
 +
|1947 - 1952
 +
|500
 +
| -12
 +
|
 +
|3
 +
|-
 +
|Rachmaninoff Society
 +
|
 +
|750
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Radiofunken
 +
|
 +
|400
 +
|0
 +
|
 +
|1
 +
|-
 +
|Remington
 +
|
 +
|500
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Renaissance
 +
|
 +
|750
 +
| -12
 +
|
 +
|1
 +
|-
 +
|'''RIAA'''
 +
|standard
 +
|500
 +
| -13.7
 +
|50
 +
|1
 +
|-
 +
|Riverside
 +
|
 +
|400
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Romeo
 +
|inconsistent, adjust as required
 +
|
 +
|
 +
|
 +
|1
 +
|-
 +
|Schirmer
 +
|
 +
|1000
 +
| -24
 +
|
 +
|1
 +
|-
 +
|Stradivari
 +
|
 +
|750
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Supraphone
 +
|
 +
|400
 +
|0
 +
|
 +
|1
 +
|-
 +
|Technicord
 +
|
 +
|800
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Telefunken
 +
|
 +
|400
 +
|0
 +
|
 +
|1
 +
|-
 +
|Transcriptions
 +
|various, typical
 +
|500
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Ultraphone
 +
|
 +
|400
 +
|0
 +
|
 +
|1
 +
|-
 +
|Urania
 +
|most
 +
|COL* or 750
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Urania
 +
|newer
 +
|400
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Vanguard
 +
|411-22, 6000-18,
 +
7001-7011, 8000-8004
 +
|COL* or 750
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Velvet Tone
 +
|acoustics to 8/29
 +
|300
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Victor
 +
|1925 (see RCA Victor for 1929-)
 +
|200 to 500
 +
| -7
 +
|
 +
|3
 +
|-
 +
|Vitaphone
 +
|
 +
|950
 +
| -18.5
 +
|
 +
|1
 +
|-
 +
|Vitaphone
 +
|motion picture
 +
|300
 +
|0
 +
|
 +
|1
 +
|-
 +
|Vocalion
 +
|electricals
 +
|300
 +
|0
 +
|
 +
|1
 +
|-
 +
|VOX
 +
|
 +
|500 or 750
 +
| -16
 +
|
 +
|1
 +
|-
 +
|War Department
 +
|12” Special Services
 +
|700
 +
| -5
 +
|
 +
|1
 +
|-
 +
|Western Electric
 +
|early transcriptions
 +
|300
 +
|0
 +
|
 +
|1
 +
|-
 +
|Westminster
 +
|pre-1956
 +
|500 or 750
 +
| -16
 +
|
 +
|1
 +
|-
 +
|Westminster
 +
|“AES” printed on jacket
 +
|400
 +
| -12
 +
|
 +
|1
 +
|-
 +
|Westrex
 +
|
 +
|200
 +
|0
 +
|
 +
|1, 2
 +
|-
 +
|Westrex (later)
 +
|
 +
|300 or 500
 +
|0
 +
|
 +
|2
 +
|-
 +
|Zonophone
 +
|early 71.29 RPM
 +
|0
 +
|0
 +
|
 +
|1
 +
|-
 +
|Zonophone
 +
|most
 +
|300
 +
|0
 +
|
 +
|1
 +
|-
 +
|}

Revision as of 13:21, 14 April 2016

This page is left intentionally blank.

Table 1: 78rpm Playback Equalisation Curves

Label Series Bass Turnover
Frequency (Hz)
10 kHz Gain
Rolloff (dB)
LF Shelving
Frequency (Hz)
Source
Acoustic Recording

(such as cylinders, etc..)

0 (or as required) 0 (or as required) 1
AES standard 400 -12 1
AFRS Transcriptions 500 0 or -5 1
Allegro 750 -16 1
Allied 500 -16 1
American Recording Society 500 -12 or –13.7 1
Angel 500 -12 1
Arizona 400 -12 1
Artist 500 -16 1
Atlantic 500 -16 1
Audiophile 300 -8 1
BBC Transcriptions 1949 500 -5 1
BBC Transcriptions most 250-300 0 to -5 1
Bach Guild 501-529 500-750 -16 1
Banner adjust as required 500 -16 1
Bartok 629 -16 1
Bartok 301-304, 309, 906-920 700 -16 1
Berliner speed = 71.29 RPM 0 0 1
Blue Bird 800 -10 1
Blue Note Jazz 400 -12 1
Blumlein 250 0 50 2
Boston COL* -16 1
Brunswick rare 1000 -8.5 1
Brunswick from 1946 300 -16 1
Brunswick early 300-500 0 or -16 1
Brunswick 500 0 3
BSI 78 353 -10.5 50 [2] 1, 2
Caedmon 629 -11 1
Caedmon 1001-1022 700 -12 1
Cameo inconsistent, adjust as required 1
Canyon 400 -12 1
Capitol FDS 400 -12 1
Capitol-Telefunken 500 0 1
Capitol 500 -12 1
Capitol 1942 400 -12 3
Cetra Soria 400 -12 or -16 1
Cetra 400 -11 1
Coliseum 400 -12 1
Columbia* 1925 200 -7 1, 3
Columbia* 1926 250 -5 1
Columbia* 1938-most 300 -16 1, 3
Columbia* various COL* -16 1
Columbia* European 300 -5 1
Columbia English 250 0 3
Concert Hall 400 -12 1
Contemporary 400 -11 1
Cook Laboratories 500 -11 1
Cook Laboratories binaural inside band 500 0 1
Coral 400 or 750 -12 or -16 1
Decca early 150 or 300 0 or -6 1
Decca 78 150 -9 2
Decca 1946- 400 or 500 -12 1
Decca FFRR 1949 250 -5 1, 3
Decca FFRR 1951 300 -14 1
Decca 1934 400 -12 3
Deutsche-Grammophone 300 -5 1
Dial 500 or 750 -16 1
Disc 300 -16 1
Ducretet-Thomson 450 -11 1
EMI 1931 250 0 1, 3
EMI 33 LP 500 -12 1
EMS 375 -12 1
Edison 0 0 1
Electrola 800 -10 1
Elektra 629 -16 1
Epic through 1954 COL* or 750 -16 1
Esoteric 400 or 500 -12 1
European 280 0 1
Festival 750 -16 1
FFRR 78 300 -5 40 2
Folkways 629 -16 1
Good Time Jazz 400 -12 1
Gramophone 300 -10 1
HMV 1925-1946 250 0 1, 3
HMV 1946 400 -10 1
HMV 1946-1954 500 or 800 -16 1
HMV American 400 -12 1
Handel Society 750 -16 or -17 1
Haydn Society 750 -16 or -17 1
Harmony Acoustics through 8/29 300 -16 1
Hit of the Week 500 -5 1
Kapp 700 -16 1
Kendall 629 -16 1
King 500 -16 1
Linguaphone 300 0 1
L’Oiseau-Lyre 500 -10 1
London early 300 0 1
London up to LL846 500 or 750 -10.5 1
London FFRR 1949- 250 or 280 -5 1
London FFRR 1949 250 -5 3
Lyrichord early 400 or COL* -16 1
Lyrichord newer 629 -16 1
Mercury through 10/54 400 -12 1, 3
MGM 500 0 or -12 1
MGM 500 -12 3
Montilla 500 -12 1
Musicraft 750 -14 1
NAB standard 500 -16 1
New Records 750 -16 1
Nocturne 400 -12 1
Oceanic COL* or 750 -16 1
Odeon early electricals 700 0 1
Odeon pre-1947 300 -8.5 1
Oiseau-Lyre through 1954 COL* -8.5 1
Okeh electricals 300 0 or -8.5 1
Oriole inconsistent, adjust as required 1
Orthoacoustic Transcriptions 500 -16 1
Overtone 400 or 500 -16 1
Oxford 750 -16 1
Pacific Jazz 400 -12 1
Parlophone varies with era 300 or 500 0 or –8.5 1
Parlophone 500 0 3
Pathe inconsistent, adjust as required 1
Period 500 -16 1
Polydor 300 -8.5 1
Philharmonia 400 -12 1
Polymusic 500 -16 1
Polymusic binaural inside band 500 0 1
RCA Victor early acoustics 71.29 RPM 0 0 1
RCA Victor later acoustics 76.59 RPM 0 0 1
RCA Victor 1925 78 RPM 250 or 300 0 or -5 1
RCA Victor 1931 LP only 700 or 800 0 to –10.5 1
RCA Victor 1933 375 -8.5 1
RCA Victor 1935 300 or 500 0 1
RCA Victor 1938 500 -5 1
RCA Victor 1938 – 1948 500 0 to -12 1
RCA Victor 1938 – 1947 500 -7 3
RCA Victor 1948 500 -10.5 1
RCA Victor 1949- 500 -12 or -13 1
RCA Victor 1947 - 1952 500 -12 3
Rachmaninoff Society 750 -16 1
Radiofunken 400 0 1
Remington 500 -16 1
Renaissance 750 -12 1
RIAA standard 500 -13.7 50 1
Riverside 400 -12 1
Romeo inconsistent, adjust as required 1
Schirmer 1000 -24 1
Stradivari 750 -16 1
Supraphone 400 0 1
Technicord 800 -12 1
Telefunken 400 0 1
Transcriptions various, typical 500 -16 1
Ultraphone 400 0 1
Urania most COL* or 750 -16 1
Urania newer 400 -12 1
Vanguard 411-22, 6000-18,

7001-7011, 8000-8004

COL* or 750 -16 1
Velvet Tone acoustics to 8/29 300 -16 1
Victor 1925 (see RCA Victor for 1929-) 200 to 500 -7 3
Vitaphone 950 -18.5 1
Vitaphone motion picture 300 0 1
Vocalion electricals 300 0 1
VOX 500 or 750 -16 1
War Department 12” Special Services 700 -5 1
Western Electric early transcriptions 300 0 1
Westminster pre-1956 500 or 750 -16 1
Westminster “AES” printed on jacket 400 -12 1
Westrex 200 0 1, 2
Westrex (later) 300 or 500 0 2
Zonophone early 71.29 RPM 0 0 1
Zonophone most 300 0 1