Difference between revisions of "User:PeterSampson/Sand-Box"

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|500  
 
|500  
 
| -12 or –13.7
 
| -12 or –13.7
|
 
|1
 
|-
 
|Angel
 
|
 
|500
 
| -12
 
|
 
|1
 
|-
 
|Arizona
 
|
 
|400
 
| -12
 
|
 
|1
 
|-
 
|Artist
 
|
 
|500
 
| -16
 
|
 
|1
 
|-
 
|Atlantic
 
|
 
|500
 
| -16
 
|
 
|1
 
|-
 
|Audiophile
 
|
 
|300
 
| -8
 
|
 
|1
 
|-
 
|BBC Transcriptions
 
|1949
 
|500
 
| -5
 
|
 
|1
 
|-
 
|BBC Transcriptions
 
|most
 
|250-300
 
|0 to -5
 
|
 
|1
 
|-
 
|Bach Guild
 
|501-529
 
|500-750
 
| -16
 
|
 
|1
 
|-
 
|Banner
 
|adjust as required
 
|500
 
| -16
 
|
 
|1
 
|-
 
|Bartok
 
|
 
|629
 
| -16
 
|
 
|1
 
|-
 
|Bartok
 
|301-304, 309, 906-920
 
|700
 
| -16
 
|
 
|1
 
|-
 
|Berliner
 
|speed = 71.29 RPM
 
|0
 
|0
 
|
 
|1
 
|-
 
|Blue Bird
 
|
 
|800
 
| -10
 
|
 
|1
 
|-
 
|Blue Note Jazz
 
|
 
|400
 
| -12
 
|
 
|1
 
|-
 
|Blumlein
 
|
 
|250
 
| 0
 
|50
 
|2
 
|-
 
|Boston
 
|
 
|COL*
 
| -16
 
|
 
|1
 
|-
 
|Brunswick
 
|rare
 
|1000
 
| -8.5
 
|
 
|1
 
|-
 
|Brunswick
 
|from 1946
 
|300
 
| -16
 
|
 
|1
 
|-
 
|Brunswick
 
|early
 
|300-500
 
|0 or -16
 
|
 
|1
 
|-
 
|Brunswick
 
|
 
|500
 
|0
 
|
 
|3
 
|-
 
|BSI 78
 
|
 
|353
 
| -10.5
 
|50 [2]
 
|1, 2
 
|-
 
|Caedmon
 
|
 
|629
 
| -11
 
|
 
|1
 
|-
 
|Caedmon
 
|1001-1022
 
|700
 
| -12
 
|
 
|1
 
|-
 
|Cameo
 
|inconsistent, adjust as required
 
|
 
|
 
|
 
|1
 
|-
 
|Canyon
 
|
 
|400
 
| -12
 
|
 
|1
 
|-
 
|Capitol
 
|FDS
 
|400
 
| -12
 
|
 
|1
 
|-
 
|Capitol-Telefunken
 
|
 
|500
 
|0
 
|
 
|1
 
|-
 
|Capitol
 
|
 
|500
 
| -12
 
|
 
|1
 
|-
 
|Capitol
 
|1942
 
|400
 
| -12
 
|
 
|3
 
|-
 
|Cetra Soria
 
|
 
|400
 
| -12 or -16
 
|
 
|1
 
|-
 
|Cetra
 
|
 
|400
 
| -11
 
|
 
|1
 
|-
 
|Coliseum
 
|
 
|400
 
| -12
 
|
 
|1
 
|-
 
|Columbia*
 
|1925
 
|200
 
| -7
 
|
 
|1, 3
 
|-
 
|Columbia*
 
|1926
 
|250
 
| -5
 
|
 
|1
 
|-
 
|Columbia*
 
|1938-most
 
|300
 
| -16
 
|
 
|1, 3
 
|-
 
|Columbia*
 
|various
 
|COL*
 
| -16
 
|
 
|1
 
|-
 
|Columbia*
 
|European
 
|300
 
| -5
 
|
 
|1
 
|-
 
|Columbia
 
|English
 
|250
 
|0
 
|
 
|3
 
|-
 
|Concert Hall
 
|
 
|400
 
| -12
 
|
 
|1
 
|-
 
|Contemporary
 
|
 
|400
 
| -11
 
|
 
|1
 
|-
 
|Cook Laboratories
 
|
 
|500
 
| -11
 
|
 
|1
 
|-
 
|Cook Laboratories
 
|binaural inside band
 
|500
 
|0
 
|
 
|1
 
|-
 
|Coral
 
|
 
|400 or 750
 
| -12 or -16
 
|
 
|1
 
|-
 
|Decca
 
|early
 
|150 or 300
 
|0 or -6
 
|
 
|1
 
|-
 
|Decca 78
 
|
 
|150
 
| -9
 
|
 
|2
 
|-
 
|Decca
 
|1946-
 
|400 or 500
 
| -12
 
|
 
|1
 
|-
 
|Decca FFRR
 
|1949
 
|250
 
| -5
 
|
 
|1, 3
 
|-
 
|Decca FFRR
 
|1951
 
|300
 
| -14
 
|
 
|1
 
|-
 
|Decca
 
|1934
 
|400
 
| -12
 
|
 
|3
 
|-
 
|Deutsche-Grammophone
 
|
 
|300
 
| -5
 
|
 
|1
 
|-
 
|Dial
 
|
 
|500 or 750
 
| -16
 
|
 
|1
 
|-
 
|Disc
 
|
 
|300
 
| -16
 
|
 
|1
 
|-
 
|Ducretet-Thomson
 
|
 
|450
 
| -11
 
|
 
|1
 
|-
 
|EMI
 
|1931
 
|250
 
|0
 
|
 
|1, 3
 
|-
 
|EMI
 
|33 LP
 
|500
 
| -12
 
|
 
|1
 
|-
 
|EMS
 
|
 
|375
 
| -12
 
|
 
|1
 
|-
 
|Edison
 
|
 
|0
 
|0
 
|
 
|1
 
|-
 
|Electrola
 
|
 
|800
 
| -10
 
|
 
|1
 
|-
 
|Elektra
 
|
 
|629
 
| -16
 
|
 
|1
 
|-
 
|Epic
 
|through 1954
 
|COL* or 750
 
| -16
 
|
 
|1
 
|-
 
|Esoteric
 
|
 
|400 or 500
 
| -12
 
|
 
|1
 
|-
 
|European
 
|
 
|280
 
|0
 
|
 
|1
 
|-
 
|Festival
 
|
 
|750
 
| -16
 
|
 
|1
 
|-
 
|FFRR 78
 
|
 
|300
 
| -5
 
|40
 
|2
 
|-
 
|Folkways
 
|
 
|629
 
| -16
 
|
 
|1
 
|-
 
|Good Time Jazz
 
|
 
|400
 
| -12
 
|
 
|1
 
|-
 
|Gramophone
 
|
 
|300
 
| -10
 
|
 
|1
 
|-
 
|HMV
 
|1925-1946
 
|250
 
|0
 
|
 
|1, 3
 
|-
 
|HMV
 
|1946
 
|400
 
| -10
 
|
 
|1
 
|-
 
|HMV
 
|1946-1954
 
|500 or 800
 
| -16
 
|
 
|1
 
|-
 
|HMV
 
|American
 
|400
 
| -12
 
|
 
|1
 
|-
 
|Handel Society
 
|
 
|750
 
| -16 or -17
 
|
 
|1
 
|-
 
|Haydn Society
 
|
 
|750
 
| -16 or -17
 
|
 
|1
 
|-
 
|Harmony Acoustics
 
|through 8/29
 
|300
 
| -16
 
|
 
|1
 
|-
 
|Hit of the Week
 
|
 
|500
 
| -5
 
|
 
|1
 
|-
 
|Kapp
 
|
 
|700
 
| -16
 
|
 
|1
 
|-
 
|Kendall
 
|
 
|629
 
| -16
 
|
 
|1
 
|-
 
|King
 
|
 
|500
 
| -16
 
|
 
|1
 
|-
 
|Linguaphone
 
|
 
|300
 
|0
 
|
 
|1
 
|-
 
|L’Oiseau-Lyre
 
|
 
|500
 
| -10
 
|
 
|1
 
|-
 
|London
 
|early
 
|300
 
|0
 
|
 
|1
 
|-
 
|London
 
|up to LL846
 
|500 or 750
 
| -10.5
 
|
 
|1
 
|-
 
|London FFRR
 
|1949-
 
|250 or 280
 
| -5
 
|
 
|1
 
|-
 
|London FFRR
 
|1949
 
|250
 
| -5
 
|
 
|3
 
|-
 
|Lyrichord
 
|early
 
|400 or COL*
 
| -16
 
|
 
|1
 
|-
 
|Lyrichord
 
|newer
 
|629
 
| -16
 
|
 
|1
 
|-
 
|Mercury
 
|through 10/54
 
|400
 
| -12
 
|
 
|1, 3
 
|-
 
|MGM
 
|
 
|500
 
|0 or -12
 
|
 
|1
 
|-
 
|MGM
 
|
 
|500
 
| -12
 
|
 
|3
 
|-
 
|Montilla
 
|
 
|500
 
| -12
 
|
 
|1
 
|-
 
|Musicraft
 
|
 
|750
 
| -14
 
|
 
|1
 
|-
 
|'''NAB'''
 
|standard
 
|500
 
| -16
 
|
 
|1
 
|-
 
|New Records
 
|
 
|750
 
| -16
 
|
 
|1
 
|-
 
|Nocturne
 
|
 
|400
 
| -12
 
|
 
|1
 
|-
 
|Oceanic
 
|
 
|COL* or 750
 
| -16
 
|
 
|1
 
|-
 
|Odeon
 
|early electricals
 
|700
 
|0
 
|
 
|1
 
|-
 
|Odeon
 
|pre-1947
 
|300
 
| -8.5
 
|
 
|1
 
|-
 
|Oiseau-Lyre
 
|through 1954
 
|COL*
 
| -8.5
 
|
 
|1
 
|-
 
|Okeh
 
|electricals
 
|300
 
|0 or -8.5
 
|
 
|1
 
|-
 
|Oriole
 
|inconsistent, adjust as required
 
|
 
|
 
|
 
|1
 
|-
 
|Orthoacoustic Transcriptions
 
|
 
|500
 
| -16
 
|
 
|1
 
|-
 
|Overtone
 
|
 
|400 or 500
 
| -16
 
|
 
|1
 
|-
 
|Oxford
 
|
 
|750
 
| -16
 
|
 
|1
 
|-
 
|Pacific Jazz
 
|
 
|400
 
| -12
 
|
 
|1
 
|-
 
|Parlophone
 
|varies with era
 
|300 or 500
 
|0 or –8.5
 
|
 
|1
 
|-
 
|Parlophone
 
|
 
|500
 
|0
 
|
 
|3
 
|-
 
|Pathe
 
|inconsistent, adjust as required
 
|
 
|
 
|
 
|1
 
|-
 
|Period
 
|
 
|500
 
| -16
 
|
 
|1
 
|-
 
|Polydor
 
|
 
|300
 
| -8.5
 
|
 
|1
 
|-
 
|Philharmonia
 
|
 
|400
 
| -12
 
|
 
|1
 
|-
 
|Polymusic
 
|
 
|500
 
| -16
 
|
 
|1
 
|-
 
|Polymusic
 
|binaural inside band
 
|500
 
|0
 
|
 
|1
 
|-
 
|RCA Victor
 
|early acoustics 71.29 RPM
 
|0
 
|0
 
|
 
|1
 
|-
 
|RCA Victor
 
|later acoustics 76.59 RPM
 
|0
 
|0
 
|
 
|1
 
|-
 
|RCA Victor
 
|1925 78 RPM
 
|250 or 300
 
|0 or -5
 
|
 
|1
 
|-
 
|RCA Victor
 
|1931 LP only
 
|700 or 800
 
|0 to –10.5
 
|
 
|1
 
|-
 
|RCA Victor
 
|1933
 
|375
 
| -8.5
 
|
 
|1
 
|-
 
|RCA Victor
 
|1935
 
|300 or 500
 
|0
 
|
 
|1
 
|-
 
|RCA Victor
 
|1938
 
|500
 
| -5
 
|
 
|1
 
|-
 
|RCA Victor
 
|1938 – 1948
 
|500
 
|0 to -12
 
|
 
|1
 
|-
 
|RCA Victor
 
|1938 – 1947
 
|500
 
| -7
 
|
 
|3
 
|-
 
|RCA Victor
 
|1948
 
|500
 
| -10.5
 
|
 
|1
 
|-
 
|RCA Victor
 
|1949-
 
|500
 
| -12 or -13
 
|
 
|1
 
|-
 
|RCA Victor
 
|1947 - 1952
 
|500
 
| -12
 
|
 
|3
 
|-
 
|Rachmaninoff Society
 
|
 
|750
 
| -16
 
|
 
|1
 
|-
 
|Radiofunken
 
|
 
|400
 
|0
 
|
 
|1
 
|-
 
|Remington
 
|
 
|500
 
| -16
 
|
 
|1
 
|-
 
|Renaissance
 
|
 
|750
 
| -12
 
|
 
|1
 
|-
 
|'''RIAA'''
 
|standard
 
|500
 
| -13.7
 
|50
 
|1
 
|-
 
|Riverside
 
|
 
|400
 
| -12
 
|
 
|1
 
|-
 
|Romeo
 
|inconsistent, adjust as required
 
|
 
|
 
|
 
|1
 
|-
 
|Schirmer
 
|
 
|1000
 
| -24
 
|
 
|1
 
|-
 
|Stradivari
 
|
 
|750
 
| -16
 
|
 
|1
 
|-
 
|Supraphone
 
|
 
|400
 
|0
 
|
 
|1
 
|-
 
|Technicord
 
|
 
|800
 
| -12
 
|
 
|1
 
|-
 
|Telefunken
 
|
 
|400
 
|0
 
|
 
|1
 
|-
 
|Transcriptions
 
|various, typical
 
|500
 
| -16
 
|
 
|1
 
|-
 
|Ultraphone
 
|
 
|400
 
|0
 
|
 
|1
 
|-
 
|Urania
 
|most
 
|COL* or 750
 
| -16
 
|
 
|1
 
|-
 
|Urania
 
|newer
 
|400
 
| -12
 
|
 
|1
 
|-
 
|Vanguard
 
|411-22, 6000-18,
 
7001-7011, 8000-8004
 
|COL* or 750
 
| -16
 
|
 
|1
 
|-
 
|Velvet Tone
 
|acoustics to 8/29
 
|300
 
| -16
 
|
 
|1
 
|-
 
|Victor
 
|1925 (see RCA Victor for 1929-)
 
|200 to 500
 
| -7
 
|
 
|3
 
|-
 
|Vitaphone
 
|
 
|950
 
| -18.5
 
|
 
|1
 
|-
 
|Vitaphone
 
|motion picture
 
|300
 
|0
 
|
 
|1
 
|-
 
|Vocalion
 
|electricals
 
|300
 
|0
 
|
 
|1
 
|-
 
|VOX
 
|
 
|500 or 750
 
| -16
 
|
 
|1
 
|-
 
|War Department
 
|12” Special Services
 
|700
 
| -5
 
|
 
|1
 
|-
 
|Western Electric
 
|early transcriptions
 
|300
 
|0
 
|
 
|1
 
|-
 
|Westminster
 
|pre-1956
 
|500 or 750
 
| -16
 
|
 
|1
 
|-
 
|Westminster
 
|“AES” printed on jacket
 
|400
 
| -12
 
|
 
|1
 
|-
 
|Westrex
 
|
 
|200
 
|0
 
|
 
|1, 2
 
|-
 
|Westrex (later)
 
|
 
|300 or 500
 
|0
 
|
 
|2
 
|-
 
|Zonophone
 
|early 71.29 RPM
 
|0
 
|0
 
|
 
|1
 
|-
 
|Zonophone
 
|most
 
|300
 
|0
 
 
|
 
|
 
|1
 
|1
 
|-
 
|-
 
|}
 
|}

Revision as of 13:24, 14 April 2016

This page is left intentionally blank.

Table 1: 78rpm Playback Equalisation Curves

Label Series Bass Turnover
Frequency (Hz)
10 kHz Gain
Rolloff (dB)
LF Shelving
Frequency (Hz)
Source
Acoustic Recording

(such as cylinders, etc..)

0 (or as required) 0 (or as required) 1
AES standard 400 -12 1
AFRS Transcriptions 500 0 or -5 1
Allegro 750 -16 1
Allied 500 -16 1
American Recording Society 500 -12 or –13.7 1