|
|
Line 54: |
Line 54: |
| |500 | | |500 |
| | -12 or –13.7 | | | -12 or –13.7 |
− | |
| |
− | |1
| |
− | |-
| |
− | |Angel
| |
− | |
| |
− | |500
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Arizona
| |
− | |
| |
− | |400
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Artist
| |
− | |
| |
− | |500
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Atlantic
| |
− | |
| |
− | |500
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Audiophile
| |
− | |
| |
− | |300
| |
− | | -8
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |BBC Transcriptions
| |
− | |1949
| |
− | |500
| |
− | | -5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |BBC Transcriptions
| |
− | |most
| |
− | |250-300
| |
− | |0 to -5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Bach Guild
| |
− | |501-529
| |
− | |500-750
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Banner
| |
− | |adjust as required
| |
− | |500
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Bartok
| |
− | |
| |
− | |629
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Bartok
| |
− | |301-304, 309, 906-920
| |
− | |700
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Berliner
| |
− | |speed = 71.29 RPM
| |
− | |0
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Blue Bird
| |
− | |
| |
− | |800
| |
− | | -10
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Blue Note Jazz
| |
− | |
| |
− | |400
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Blumlein
| |
− | |
| |
− | |250
| |
− | | 0
| |
− | |50
| |
− | |2
| |
− | |-
| |
− | |Boston
| |
− | |
| |
− | |COL*
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Brunswick
| |
− | |rare
| |
− | |1000
| |
− | | -8.5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Brunswick
| |
− | |from 1946
| |
− | |300
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Brunswick
| |
− | |early
| |
− | |300-500
| |
− | |0 or -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Brunswick
| |
− | |
| |
− | |500
| |
− | |0
| |
− | |
| |
− | |3
| |
− | |-
| |
− | |BSI 78
| |
− | |
| |
− | |353
| |
− | | -10.5
| |
− | |50 [2]
| |
− | |1, 2
| |
− | |-
| |
− | |Caedmon
| |
− | |
| |
− | |629
| |
− | | -11
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Caedmon
| |
− | |1001-1022
| |
− | |700
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Cameo
| |
− | |inconsistent, adjust as required
| |
− | |
| |
− | |
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Canyon
| |
− | |
| |
− | |400
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Capitol
| |
− | |FDS
| |
− | |400
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Capitol-Telefunken
| |
− | |
| |
− | |500
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Capitol
| |
− | |
| |
− | |500
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Capitol
| |
− | |1942
| |
− | |400
| |
− | | -12
| |
− | |
| |
− | |3
| |
− | |-
| |
− | |Cetra Soria
| |
− | |
| |
− | |400
| |
− | | -12 or -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Cetra
| |
− | |
| |
− | |400
| |
− | | -11
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Coliseum
| |
− | |
| |
− | |400
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Columbia*
| |
− | |1925
| |
− | |200
| |
− | | -7
| |
− | |
| |
− | |1, 3
| |
− | |-
| |
− | |Columbia*
| |
− | |1926
| |
− | |250
| |
− | | -5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Columbia*
| |
− | |1938-most
| |
− | |300
| |
− | | -16
| |
− | |
| |
− | |1, 3
| |
− | |-
| |
− | |Columbia*
| |
− | |various
| |
− | |COL*
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Columbia*
| |
− | |European
| |
− | |300
| |
− | | -5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Columbia
| |
− | |English
| |
− | |250
| |
− | |0
| |
− | |
| |
− | |3
| |
− | |-
| |
− | |Concert Hall
| |
− | |
| |
− | |400
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Contemporary
| |
− | |
| |
− | |400
| |
− | | -11
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Cook Laboratories
| |
− | |
| |
− | |500
| |
− | | -11
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Cook Laboratories
| |
− | |binaural inside band
| |
− | |500
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Coral
| |
− | |
| |
− | |400 or 750
| |
− | | -12 or -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Decca
| |
− | |early
| |
− | |150 or 300
| |
− | |0 or -6
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Decca 78
| |
− | |
| |
− | |150
| |
− | | -9
| |
− | |
| |
− | |2
| |
− | |-
| |
− | |Decca
| |
− | |1946-
| |
− | |400 or 500
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Decca FFRR
| |
− | |1949
| |
− | |250
| |
− | | -5
| |
− | |
| |
− | |1, 3
| |
− | |-
| |
− | |Decca FFRR
| |
− | |1951
| |
− | |300
| |
− | | -14
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Decca
| |
− | |1934
| |
− | |400
| |
− | | -12
| |
− | |
| |
− | |3
| |
− | |-
| |
− | |Deutsche-Grammophone
| |
− | |
| |
− | |300
| |
− | | -5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Dial
| |
− | |
| |
− | |500 or 750
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Disc
| |
− | |
| |
− | |300
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Ducretet-Thomson
| |
− | |
| |
− | |450
| |
− | | -11
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |EMI
| |
− | |1931
| |
− | |250
| |
− | |0
| |
− | |
| |
− | |1, 3
| |
− | |-
| |
− | |EMI
| |
− | |33 LP
| |
− | |500
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |EMS
| |
− | |
| |
− | |375
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Edison
| |
− | |
| |
− | |0
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Electrola
| |
− | |
| |
− | |800
| |
− | | -10
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Elektra
| |
− | |
| |
− | |629
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Epic
| |
− | |through 1954
| |
− | |COL* or 750
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Esoteric
| |
− | |
| |
− | |400 or 500
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |European
| |
− | |
| |
− | |280
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Festival
| |
− | |
| |
− | |750
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |FFRR 78
| |
− | |
| |
− | |300
| |
− | | -5
| |
− | |40
| |
− | |2
| |
− | |-
| |
− | |Folkways
| |
− | |
| |
− | |629
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Good Time Jazz
| |
− | |
| |
− | |400
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Gramophone
| |
− | |
| |
− | |300
| |
− | | -10
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |HMV
| |
− | |1925-1946
| |
− | |250
| |
− | |0
| |
− | |
| |
− | |1, 3
| |
− | |-
| |
− | |HMV
| |
− | |1946
| |
− | |400
| |
− | | -10
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |HMV
| |
− | |1946-1954
| |
− | |500 or 800
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |HMV
| |
− | |American
| |
− | |400
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Handel Society
| |
− | |
| |
− | |750
| |
− | | -16 or -17
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Haydn Society
| |
− | |
| |
− | |750
| |
− | | -16 or -17
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Harmony Acoustics
| |
− | |through 8/29
| |
− | |300
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Hit of the Week
| |
− | |
| |
− | |500
| |
− | | -5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Kapp
| |
− | |
| |
− | |700
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Kendall
| |
− | |
| |
− | |629
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |King
| |
− | |
| |
− | |500
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Linguaphone
| |
− | |
| |
− | |300
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |L’Oiseau-Lyre
| |
− | |
| |
− | |500
| |
− | | -10
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |London
| |
− | |early
| |
− | |300
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |London
| |
− | |up to LL846
| |
− | |500 or 750
| |
− | | -10.5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |London FFRR
| |
− | |1949-
| |
− | |250 or 280
| |
− | | -5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |London FFRR
| |
− | |1949
| |
− | |250
| |
− | | -5
| |
− | |
| |
− | |3
| |
− | |-
| |
− | |Lyrichord
| |
− | |early
| |
− | |400 or COL*
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Lyrichord
| |
− | |newer
| |
− | |629
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Mercury
| |
− | |through 10/54
| |
− | |400
| |
− | | -12
| |
− | |
| |
− | |1, 3
| |
− | |-
| |
− | |MGM
| |
− | |
| |
− | |500
| |
− | |0 or -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |MGM
| |
− | |
| |
− | |500
| |
− | | -12
| |
− | |
| |
− | |3
| |
− | |-
| |
− | |Montilla
| |
− | |
| |
− | |500
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Musicraft
| |
− | |
| |
− | |750
| |
− | | -14
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |'''NAB'''
| |
− | |standard
| |
− | |500
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |New Records
| |
− | |
| |
− | |750
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Nocturne
| |
− | |
| |
− | |400
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Oceanic
| |
− | |
| |
− | |COL* or 750
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Odeon
| |
− | |early electricals
| |
− | |700
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Odeon
| |
− | |pre-1947
| |
− | |300
| |
− | | -8.5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Oiseau-Lyre
| |
− | |through 1954
| |
− | |COL*
| |
− | | -8.5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Okeh
| |
− | |electricals
| |
− | |300
| |
− | |0 or -8.5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Oriole
| |
− | |inconsistent, adjust as required
| |
− | |
| |
− | |
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Orthoacoustic Transcriptions
| |
− | |
| |
− | |500
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Overtone
| |
− | |
| |
− | |400 or 500
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Oxford
| |
− | |
| |
− | |750
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Pacific Jazz
| |
− | |
| |
− | |400
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Parlophone
| |
− | |varies with era
| |
− | |300 or 500
| |
− | |0 or –8.5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Parlophone
| |
− | |
| |
− | |500
| |
− | |0
| |
− | |
| |
− | |3
| |
− | |-
| |
− | |Pathe
| |
− | |inconsistent, adjust as required
| |
− | |
| |
− | |
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Period
| |
− | |
| |
− | |500
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Polydor
| |
− | |
| |
− | |300
| |
− | | -8.5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Philharmonia
| |
− | |
| |
− | |400
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Polymusic
| |
− | |
| |
− | |500
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Polymusic
| |
− | |binaural inside band
| |
− | |500
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |RCA Victor
| |
− | |early acoustics 71.29 RPM
| |
− | |0
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |RCA Victor
| |
− | |later acoustics 76.59 RPM
| |
− | |0
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |RCA Victor
| |
− | |1925 78 RPM
| |
− | |250 or 300
| |
− | |0 or -5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |RCA Victor
| |
− | |1931 LP only
| |
− | |700 or 800
| |
− | |0 to –10.5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |RCA Victor
| |
− | |1933
| |
− | |375
| |
− | | -8.5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |RCA Victor
| |
− | |1935
| |
− | |300 or 500
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |RCA Victor
| |
− | |1938
| |
− | |500
| |
− | | -5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |RCA Victor
| |
− | |1938 – 1948
| |
− | |500
| |
− | |0 to -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |RCA Victor
| |
− | |1938 – 1947
| |
− | |500
| |
− | | -7
| |
− | |
| |
− | |3
| |
− | |-
| |
− | |RCA Victor
| |
− | |1948
| |
− | |500
| |
− | | -10.5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |RCA Victor
| |
− | |1949-
| |
− | |500
| |
− | | -12 or -13
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |RCA Victor
| |
− | |1947 - 1952
| |
− | |500
| |
− | | -12
| |
− | |
| |
− | |3
| |
− | |-
| |
− | |Rachmaninoff Society
| |
− | |
| |
− | |750
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Radiofunken
| |
− | |
| |
− | |400
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Remington
| |
− | |
| |
− | |500
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Renaissance
| |
− | |
| |
− | |750
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |'''RIAA'''
| |
− | |standard
| |
− | |500
| |
− | | -13.7
| |
− | |50
| |
− | |1
| |
− | |-
| |
− | |Riverside
| |
− | |
| |
− | |400
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Romeo
| |
− | |inconsistent, adjust as required
| |
− | |
| |
− | |
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Schirmer
| |
− | |
| |
− | |1000
| |
− | | -24
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Stradivari
| |
− | |
| |
− | |750
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Supraphone
| |
− | |
| |
− | |400
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Technicord
| |
− | |
| |
− | |800
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Telefunken
| |
− | |
| |
− | |400
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Transcriptions
| |
− | |various, typical
| |
− | |500
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Ultraphone
| |
− | |
| |
− | |400
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Urania
| |
− | |most
| |
− | |COL* or 750
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Urania
| |
− | |newer
| |
− | |400
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Vanguard
| |
− | |411-22, 6000-18,
| |
− | 7001-7011, 8000-8004
| |
− | |COL* or 750
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Velvet Tone
| |
− | |acoustics to 8/29
| |
− | |300
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Victor
| |
− | |1925 (see RCA Victor for 1929-)
| |
− | |200 to 500
| |
− | | -7
| |
− | |
| |
− | |3
| |
− | |-
| |
− | |Vitaphone
| |
− | |
| |
− | |950
| |
− | | -18.5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Vitaphone
| |
− | |motion picture
| |
− | |300
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Vocalion
| |
− | |electricals
| |
− | |300
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |VOX
| |
− | |
| |
− | |500 or 750
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |War Department
| |
− | |12” Special Services
| |
− | |700
| |
− | | -5
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Western Electric
| |
− | |early transcriptions
| |
− | |300
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Westminster
| |
− | |pre-1956
| |
− | |500 or 750
| |
− | | -16
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Westminster
| |
− | |“AES” printed on jacket
| |
− | |400
| |
− | | -12
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Westrex
| |
− | |
| |
− | |200
| |
− | |0
| |
− | |
| |
− | |1, 2
| |
− | |-
| |
− | |Westrex (later)
| |
− | |
| |
− | |300 or 500
| |
− | |0
| |
− | |
| |
− | |2
| |
− | |-
| |
− | |Zonophone
| |
− | |early 71.29 RPM
| |
− | |0
| |
− | |0
| |
− | |
| |
− | |1
| |
− | |-
| |
− | |Zonophone
| |
− | |most
| |
− | |300
| |
− | |0
| |
| | | | | |
| |1 | | |1 |
| |- | | |- |
| |} | | |} |
Revision as of 13:24, 14 April 2016
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Table 1: 78rpm Playback Equalisation Curves
Label
|
Series
|
Bass Turnover Frequency (Hz)
|
10 kHz Gain Rolloff (dB)
|
LF Shelving Frequency (Hz)
|
Source
|
Acoustic Recording
(such as cylinders, etc..)
|
|
0 (or as required)
|
0 (or as required)
|
|
1
|
AES
|
standard
|
400
|
-12
|
|
1
|
AFRS Transcriptions
|
|
500
|
0 or -5
|
|
1
|
Allegro
|
|
750
|
-16
|
|
1
|
Allied
|
|
500
|
-16
|
|
1
|
American Recording Society
|
|
500
|
-12 or –13.7
|
|
1
|